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The following pages are films this category, out of total. This list may not reflect sexploitation changes learn more. From Wikipedia, sexploitation free encyclopedia.

Wikimedia Commons has media related to Exploitation films. The main films for wiki category is Exploitation film. See also: Category:History of racism in the sexploitation of the United States. Films This category has the following 12 subcategories, out of 12 total. Pages in category "Exploitation films" The following pages are in this category, out of total.

Exploitation film Hippie exploitation wiki Nunsploitation Outlaw wiki film Pornochanchada Rape and revenge sexploitahion Sexploitation film. E Eat My Dust! H Hate Crime film. O Ozploitation. Wiki : Films by genre Midnight movie. Hidden categories: Commons category link is sexploitwtion Wikidata Categories requiring diffusion.

Namespaces Category Talk. Views Read Edit View history. In other projects Wikimedia Commons. By using this site, you agree to the Terms films Use and Privacy Policy. Pages in this category should be moved to subcategories where applicable.

This category may require frequent maintenance to avoid becoming too sexploitation. It should directly contain very few, if any, pages and should mainly contain subcategories.


An exploitation film is a film that attempts to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality " B movies ".

Some of these films, such as Night of the Living Deadset trends and become historically important. Exploitation films may feature suggestive or explicit sex, sensational violence, drug use, nudity, gore, the bizarre, destruction, rebellion, and mayhem. Such films were first seen in their modern form in the early s, [3] but they were popularized in the 60s and 70s with the general relaxing of censorship and cinematic taboos in the U.

The Motion Picture Association of America and the Motion Picture Producers and Distributors of America before it cooperated with censorship boards and grassroots organizations in the hope of preserving the image of a "clean" Hollywood, wiki the distributors of exploitation film operated outside of this circuit and often welcomed controversy as a form of free promotion.

Since the s, this genre has also received attention in academic circles, where it is sometimes called paracinema. Titillating material and artistic content often coexist, as wiki by the fact that art films that failed to pass the Hays Code were often shown in the same grindhouses as exploitation films. Many films recognized as classics contain levels of sex, violence, and shock typically associated with exploitation films; examples are Stanley Kubrick's A Clockwork OrangeTod Browning's Freaksand Roman Polanski 's Repulsion.

It has been suggested that if Carnival of Souls had been made in Europe, it would be considered an art film, while sexploitation Eyes Without a Face had been made in the U. The audiences of sexploitation and exploitation film are both considered to have tastes that reject the mainstream Hollywood offerings.

Exploitation films have often exploited news films in the short-term public consciousness that a major film studio may avoid because of the time required to produce a major film. Child Filmsfor example, tackled the issue of older men marrying very young women in the Ozarks. Other issues, such as drug use in films like Reefer Madnessattracted audiences that major film studios would usually avoid in order to keep their respectable, mainstream reputations.

With enough incentive, however, wiki studios might become involved, as Warner Bros. The film Sex Madness portrayed the dangers of venereal disease from premarital sex. Mom and Dada film about pregnancy and childbirth, films promoted in lurid terms. She Shoulda Said No! In the early days of film, when exploitation films relied on such sensational subjects as these, they had to present them from a very conservative moral viewpoint to avoid censorship, wiki movies then sexploitation not considered to enjoy First Amendment protection.

Several war films were made about the Winter War in Finland, the Korean Warand the Vietnam War before the major studios showed interest. Some Poverty Row low-budget B movies often exploit major studio projects. Their rapid production films allows them to take advantage of publicity attached to major studio films.

For example, Edward L. Ulmer 's film Beyond the Time Barrier. Wiki a result, many major studios, producers, and stars keep their projects secret. Grindhouse is an American term for a theater that mainly showed exploitation films. It is thought to stem from the defunct burlesque theaters on 42nd Street, New York, where "bump n' grind" wiki and striptease used to be on the bill.

In the s these theaters were put to new use as venues for exploitation films, a trend that continued strongly throughout the s in New York City and other urban centers, mainly in North America, but began a long decline during the s with the advent of home video. Sexploitation the drive-in movie theater began to decline in the s and s, theater owners began to look for ways to bring in patrons.

One solution was to book exploitation films. Some producers from the s to the s made films directly for the drive-in market, and the commodity product needed for a weekly change led to films theory about the origin of the word: that the producers would "grind" films out.

Many of them were violent action films that some called "drive-in" films. Exploitation films may adopt the subject matter and styling of regular film genres, particularly horror films and documentary films, and their themes are sometimes influenced by other so-called exploitative media, such as pulp magazines.

They often blur the distinctions between genres by containing elements of two or more genres at a time. Their subgenres are identifiable by the characteristics they use. Although they featured lurid subject matter, exploitation films of the s and s evaded the strict censorship and scrutiny of the era by claiming to be educational.

They were generally cautionary tales about the alleged dangers of premarital sexual intercourse and the use of recreational drugs. An exploitation film about homosexuality, Children films Lonelinessis now believed lost. A string of low-budget juvenile delinquent films featuring hot-rods and motorcycles followed in the s. The success of American International Pictures' The Wild Angels in ignited a more robust trend that continued into the early s.

Black exploitation films, or "blaxploitation" films, are made with black actors, ostensibly for black audiences, often in a stereotypically African American urban milieu. A prominent theme was African Americans overcoming hostile authority " The Man " through cunning and violence.

The Bond film Live and Let Die uses blaxploitation themes. Cannibal films are graphic movies from the early s to the late s, primarily made by Italian and Spanish moviemakers. They focus on cannibalism by tribes deep in the South American or Asian rainforests. This cannibalism is usually perpetrated against Westerners that the tribes held prisoner. As with mondo filmsthe main draw of cannibal films was the promise of exotic locales and graphic gore involving living creatures.

The best-known film of this genre is the controversial Cannibal Holocaustin which six animals are killed. Others include Cannibal FeroxEaten Alive! The Green Inferno is a modern homage to the genre. The phenomenon emerged inwhen the government of Canada introduced new regulations to jumpstart the then-underdeveloped Canadian film industry, increasing the Capital Cost Allowance tax credit from 60 per cent to per cent.

The period ended inwhen the Capital Cost Allowance was reduced to 50 per cent, although films that had entered production under the program continued to be released for another few years afterward.

Carsploitation films feature scenes of cars racing and crashing, featuring the sports cars, muscle carsand car wrecks that were popular sexploitation the s and s.

They were produced mainly in the United States and Australia. The quintessential film of this genre is Vanishing Point Baby Driver sexploitation Death Proof are modern tributes to this genre containing some references to Vanishing Pointthe latter also being a tribute to slasher films and the films of Russ Meyer.

In the s, a revisionist, non-traditional style of samurai film achieved some popularity in Japan. It became known as chambarafilms onomatopoeia describing the clash of swords. Its origins can be traced as far back as Akira Kurosawawhose films feature moral grayness [ clarification needed ] and exaggerated violence, but the genre is mostly associated with s samurai manga by Kazuo Koikeon whose work many later films would be based.

Chambara features few of the stoic, formal sensibilities of earlier jidaigeki films — the new chambara featured revenge-driven antihero protagonists, nudity, sex scenes, swordplay, and blood. Giallo films are Italian-made slasher films that focus on cruel murders and the subsequent search for the killers.

They are named for the Italian word wiki yellow, wikithe background color featured on the covers of the pulp novels by which these movies were inspired. WardhBlood and Black Lace and Tenebrae. Luigi Cozzi [12]. Mockbusters, sometimes called "remakesploitation films", are copycat movies that try to cash in on the advertising of heavily promoted films from major studios.

Production company the Asylumwhich prefers to call them "tie-ins", is a prominent producer of these films.

The latter two used scenes from Star Wars and unauthorized excerpts from John Williams ' score. Mondo films, often called shockumentaries, are quasi-documentary films about sensationalized topics like exotic customs from around the world or gruesome death footage.

The goal of mondo films, as of shock exploitation, is to shock the audience by dealing with taboo subject films. The first mondo film is Mondo Cane Dog World. These "nature-run-amok" films focus on an animal or group of animals, far larger and more aggressive than usual for their species, terrorizing humans while another group of humans tries to fight back.

This genre began in the s, when concern over nuclear weapons testing made movies about giant monsters popular. These were typically either giant prehistoric creatures awakened by atomic explosions or ordinary animals mutated by radiation. The trend was revived in the s as awareness of pollution increased and corporate greed and military irresponsibility were blamed for destruction of the environment. Hedorah are examples. After Steven Spielberg 's film Jawsa number of very similar films sometimes regarded as outright rip-offs were produced in the hope of cashing in on its success.

Roger Corman was a major producer of these films in both decades. The genre has experienced a revival in recent years, as films like Mulberry Street and Larry Fessenden's The Last Winter reflected concerns about global warming and overpopulation.

Nazi exploitation films, also called "Nazisploitation" films, or "il sadiconazista", focus on Nazis torturing prisoners in death camps and brothels during World War II. The tortures are often sexual, and the prisoners, who are often female, are nude. The progenitor of this subgenre was Love Camp 7 The archetype of the genre, which established its popularity and its typical themes, was Ilsa, She Wolf of the SSabout the buxom, nymphomaniacal dominatrix Ilsa torturing prisoners in a Stalag.

Inglourious Basterds and The Devil's Rock are modern homages wiki the subgenre. Nudist films originated in the s as films that skirted the Hays Code restrictions on nudity by purportedly depicting the naturist lifestyle. New Sexploitation Board of Regents that onscreen nudity is not obscene.

This opened the door to more open depictions of nudity, starting with Russ Meyer's The Immoral Mr. Teaswhich has been credited as the first film to place its exploitation elements unapologetically at the forefront instead of pretending to carry a moral or educational message.

This development paved the way for the more explicit exploitation films of the s and s and made the nudist genre obsolete—ironically, since the nudist film Garden of Eden was the subject of the court case. After this, the nudist genre split sexploitation subgenres such as the "nudie-cutie", which featured nudity but no touching, and the "roughie", which included nudity and violent, antisocial behavior.

Nudist films were marked by self-contradictory qualities. They presented themselves as educational films, but exploited their subject matter by focusing mainly on the nudist camps' most beautiful female residents, while denying the existence of such exploitation.

They depicted a lifestyle unbound by the restrictions of clothing, yet this depiction was restricted by the requirement that genitals should not be shown. Still, there was a subversive element to them, as the nudist camps inherently rejected modern society and its values regarding the human body. One scene in The Unashamed makes a point about the sexploitation of clothing and its related values through a mocking portrayal of a group of nude artists who paint fully clothed subjects.

The term "Ozploitation" refers broadly to Australian horror, erotic or crime films of the s and s. Reforms to Australia's film classification systems in led to the production of a number of such low-budget, privately funded films, assisted by tax exemptions and targeting export markets. Often an internationally recognised actor but of waning notability would be hired to play a lead role. Laconic characters and desert scenes feature in many Ozploitation films, but the term has been used for a variety of Australian films of the films that wiki on shocking or sexploitation their audiences.

They typically have rural or outback settings, presenting the Australian landscape and environment as an almost spiritually malign force that alienates white Australians and frustrates both their personal ambitions and activities and their attempts to subdue it.

H Hate Crime film. O Ozploitation. Categories : Films by genre Midnight movie. Hidden categories: Commons category link is on Wikidata Categories requiring diffusion.

Namespaces Category Talk. Views Read Edit View history. In other projects Wikimedia Commons. By using this site, you agree to the Terms of Use and Privacy Policy.

Pages in this category should be moved to subcategories where applicable. This category may require frequent maintenance to avoid becoming too large.

Such films were first seen in their modern form in the early s, [3] but they were popularized in the 60s and 70s with the general relaxing of censorship and cinematic taboos in the U. The Motion Picture Association of America and the Motion Picture Producers and Distributors of America before it cooperated with censorship boards and grassroots organizations in the hope of preserving the image of a "clean" Hollywood, but the distributors of exploitation film operated outside of this circuit and often welcomed controversy as a form of free promotion.

Since the s, this genre has also received attention in academic circles, where it is sometimes called paracinema. Titillating material and artistic content often coexist, as demonstrated by the fact that art films that failed to pass the Hays Code were often shown in the same grindhouses as exploitation films.

Many films recognized as classics contain levels of sex, violence, and shock typically associated with exploitation films; examples are Stanley Kubrick's A Clockwork Orange , Tod Browning's Freaks , and Roman Polanski 's Repulsion. It has been suggested that if Carnival of Souls had been made in Europe, it would be considered an art film, while if Eyes Without a Face had been made in the U. The audiences of art and exploitation film are both considered to have tastes that reject the mainstream Hollywood offerings.

Exploitation films have often exploited news events in the short-term public consciousness that a major film studio may avoid because of the time required to produce a major film. Child Bride , for example, tackled the issue of older men marrying very young women in the Ozarks. Other issues, such as drug use in films like Reefer Madness , attracted audiences that major film studios would usually avoid in order to keep their respectable, mainstream reputations.

With enough incentive, however, major studios might become involved, as Warner Bros. The film Sex Madness portrayed the dangers of venereal disease from premarital sex. Mom and Dad , a film about pregnancy and childbirth, was promoted in lurid terms. She Shoulda Said No!

In the early days of film, when exploitation films relied on such sensational subjects as these, they had to present them from a very conservative moral viewpoint to avoid censorship, as movies then were not considered to enjoy First Amendment protection. Several war films were made about the Winter War in Finland, the Korean War , and the Vietnam War before the major studios showed interest. Some Poverty Row low-budget B movies often exploit major studio projects. Their rapid production schedule allows them to take advantage of publicity attached to major studio films.

For example, Edward L. Ulmer 's film Beyond the Time Barrier. As a result, many major studios, producers, and stars keep their projects secret. Grindhouse is an American term for a theater that mainly showed exploitation films. It is thought to stem from the defunct burlesque theaters on 42nd Street, New York, where "bump n' grind" dancing and striptease used to be on the bill.

In the s these theaters were put to new use as venues for exploitation films, a trend that continued strongly throughout the s in New York City and other urban centers, mainly in North America, but began a long decline during the s with the advent of home video. As the drive-in movie theater began to decline in the s and s, theater owners began to look for ways to bring in patrons. One solution was to book exploitation films. Some producers from the s to the s made films directly for the drive-in market, and the commodity product needed for a weekly change led to another theory about the origin of the word: that the producers would "grind" films out.

Many of them were violent action films that some called "drive-in" films. Exploitation films may adopt the subject matter and styling of regular film genres, particularly horror films and documentary films, and their themes are sometimes influenced by other so-called exploitative media, such as pulp magazines.

They often blur the distinctions between genres by containing elements of two or more genres at a time. Their subgenres are identifiable by the characteristics they use.

Although they featured lurid subject matter, exploitation films of the s and s evaded the strict censorship and scrutiny of the era by claiming to be educational. They were generally cautionary tales about the alleged dangers of premarital sexual intercourse and the use of recreational drugs.

An exploitation film about homosexuality, Children of Loneliness , is now believed lost. A string of low-budget juvenile delinquent films featuring hot-rods and motorcycles followed in the s. The success of American International Pictures' The Wild Angels in ignited a more robust trend that continued into the early s. Black exploitation films, or "blaxploitation" films, are made with black actors, ostensibly for black audiences, often in a stereotypically African American urban milieu.

A prominent theme was African Americans overcoming hostile authority " The Man " through cunning and violence. The Bond film Live and Let Die uses blaxploitation themes. Cannibal films are graphic movies from the early s to the late s, primarily made by Italian and Spanish moviemakers.

They focus on cannibalism by tribes deep in the South American or Asian rainforests. This cannibalism is usually perpetrated against Westerners that the tribes held prisoner. As with mondo films , the main draw of cannibal films was the promise of exotic locales and graphic gore involving living creatures.

The best-known film of this genre is the controversial Cannibal Holocaust , in which six animals are killed. Others include Cannibal Ferox , Eaten Alive! The Green Inferno is a modern homage to the genre.

The phenomenon emerged in , when the government of Canada introduced new regulations to jumpstart the then-underdeveloped Canadian film industry, increasing the Capital Cost Allowance tax credit from 60 per cent to per cent. The period ended in , when the Capital Cost Allowance was reduced to 50 per cent, although films that had entered production under the program continued to be released for another few years afterward.

Carsploitation films feature scenes of cars racing and crashing, featuring the sports cars, muscle cars , and car wrecks that were popular in the s and s. They were produced mainly in the United States and Australia. The quintessential film of this genre is Vanishing Point Baby Driver and Death Proof are modern tributes to this genre containing some references to Vanishing Point , the latter also being a tribute to slasher films and the films of Russ Meyer.

In the s, a revisionist, non-traditional style of samurai film achieved some popularity in Japan. It became known as chambara , an onomatopoeia describing the clash of swords. Its origins can be traced as far back as Akira Kurosawa , whose films feature moral grayness [ clarification needed ] and exaggerated violence, but the genre is mostly associated with s samurai manga by Kazuo Koike , on whose work many later films would be based. Chambara features few of the stoic, formal sensibilities of earlier jidaigeki films — the new chambara featured revenge-driven antihero protagonists, nudity, sex scenes, swordplay, and blood.

Giallo films are Italian-made slasher films that focus on cruel murders and the subsequent search for the killers. They are named for the Italian word for yellow, giallo , the background color featured on the covers of the pulp novels by which these movies were inspired.

Wardh , Blood and Black Lace and Tenebrae. Luigi Cozzi [12]. Mockbusters, sometimes called "remakesploitation films", are copycat movies that try to cash in on the advertising of heavily promoted films from major studios. Production company the Asylum , which prefers to call them "tie-ins", is a prominent producer of these films.

The latter two used scenes from Star Wars and unauthorized excerpts from John Williams ' score. Mondo films, often called shockumentaries, are quasi-documentary films about sensationalized topics like exotic customs from around the world or gruesome death footage. The goal of mondo films, as of shock exploitation, is to shock the audience by dealing with taboo subject matter. The first mondo film is Mondo Cane Dog World. These "nature-run-amok" films focus on an animal or group of animals, far larger and more aggressive than usual for their species, terrorizing humans while another group of humans tries to fight back.

This genre began in the s, when concern over nuclear weapons testing made movies about giant monsters popular. These were typically either giant prehistoric creatures awakened by atomic explosions or ordinary animals mutated by radiation. The trend was revived in the s as awareness of pollution increased and corporate greed and military irresponsibility were blamed for destruction of the environment. Hedorah are examples.

After Steven Spielberg 's film Jaws , a number of very similar films sometimes regarded as outright rip-offs were produced in the hope of cashing in on its success. Roger Corman was a major producer of these films in both decades. The genre has experienced a revival in recent years, as films like Mulberry Street and Larry Fessenden's The Last Winter reflected concerns about global warming and overpopulation. Nazi exploitation films, also called "Nazisploitation" films, or "il sadiconazista", focus on Nazis torturing prisoners in death camps and brothels during World War II.

The tortures are often sexual, and the prisoners, who are often female, are nude. The progenitor of this subgenre was Love Camp 7 The archetype of the genre, which established its popularity and its typical themes, was Ilsa, She Wolf of the SS , about the buxom, nymphomaniacal dominatrix Ilsa torturing prisoners in a Stalag. Inglourious Basterds and The Devil's Rock are modern homages to the subgenre. Nudist films originated in the s as films that skirted the Hays Code restrictions on nudity by purportedly depicting the naturist lifestyle.

New York Board of Regents that onscreen nudity is not obscene. This opened the door to more open depictions of nudity, starting with Russ Meyer's The Immoral Mr. Teas , which has been credited as the first film to place its exploitation elements unapologetically at the forefront instead of pretending to carry a moral or educational message.

This development paved the way for the more explicit exploitation films of the s and s and made the nudist genre obsolete—ironically, since the nudist film Garden of Eden was the subject of the court case. After this, the nudist genre split into subgenres such as the "nudie-cutie", which featured nudity but no touching, and the "roughie", which included nudity and violent, antisocial behavior.

Nudist films were marked by self-contradictory qualities. They presented themselves as educational films, but exploited their subject matter by focusing mainly on the nudist camps' most beautiful female residents, while denying the existence of such exploitation. They depicted a lifestyle unbound by the restrictions of clothing, yet this depiction was restricted by the requirement that genitals should not be shown.

Still, there was a subversive element to them, as the nudist camps inherently rejected modern society and its values regarding the human body. One scene in The Unashamed makes a point about the artificiality of clothing and its related values through a mocking portrayal of a group of nude artists who paint fully clothed subjects.

The term "Ozploitation" refers broadly to Australian horror, erotic or crime films of the s and s. Reforms to Australia's film classification systems in led to the production of a number of such low-budget, privately funded films, assisted by tax exemptions and targeting export markets. Often an internationally recognised actor but of waning notability would be hired to play a lead role.

Laconic characters and desert scenes feature in many Ozploitation films, but the term has been used for a variety of Australian films of the era that relied on shocking or titilating their audiences.

They typically have rural or outback settings, presenting the Australian landscape and environment as an almost spiritually malign force that alienates white Australians and frustrates both their personal ambitions and activities and their attempts to subdue it. This genre contains films in which a person is raped, left for dead, recovers and then exacts a graphic, gory revenge against the rapists.

It is not unusual for the main character in these films to be a successful, independent city woman, who is attacked by a man from the country. Clover , whose book Men, Women, and Chainsaws: Gender in the Modern Horror Film examines the implications of its reversals of cinema's traditional gender roles. This type of film can be seen as an offshoot of the vigilante film, with the victim's transformation into avenger as the key scene.

Author Jacinda Read and others believe that rape—revenge should be categorized as a narrative structure rather than a true subgenre, because its plot can be found in films of many different genres, such as thrillers Ms. The Redsploitation genre concerns Native American characters almost always played by white actors, usually exacting their revenge on their white tormentors.

Sexploitation films resemble softcore pornography. Films in this genre are an excuse for showing scenes involving nude or semi-nude women.

Many movies contain vivid sex scenes, but sexploitations are more graphic than mainstream films. When sexploitations are plot-driven, most of the plot could include killers, slavery, fem-dom , martial-arts, similar style and lines from glamour and screwball comedies, features love interests and flirtation akin to romance films , over-the-top direction, like cheeky homages, fan service and caricatures, and broad performances that may contain sleazy teasing and alluding to foreplay or kink.

Extending the sequences or showing full frontal nudity are typical genre techniques. Films such as Faster, Pussycat! Casting pornstars and hardcore actresses is semi-common.

sexploitation films wiki

A sexploitation film or "sex-exploitation film" is a class of wiki produced, low-budget [4] feature film that is generally associated with the s, [5] and that serves largely as a vehicle for the exhibition of non-explicit sexual situations and gratuitous wiki. The genre is a subgenre of exploitation films. Sexploitation wiki were generally exhibited in urban grindhouse sexploitationthe precursor to the adult movie theaters of the s and s that featured hardcore pornography content.

The term soft-core is often used to designate non-explicit sexploitation films after the general legalisation of hardcore content. Nudist sexploitation are films considered to be subgenres sexploitation the sex-exploitation genre as well. Following a series of United States Supreme Films rulings wiki the late s and s, increasingly explicit sex films were distributed. United States had established that sex and wiki were not synonymous.

Sexploitation were initially three broad types: " sexploitation cuties " such as The Immoral Mr. Teasfilms set in nudist films like Daughter of the Sun and somewhat more "artistic" foreign pictures, such as The Twilight Girls Nudie cuties were soon supplanted by "roughies," which commonly featured male violence against women, including kidnapping, rape and films.

Friedman 's Scum wiki the Earth! Sexploitation films initially played in grindhouse theatres [12] and struggling films theaters; however, by the end films the decade they were playing in established cinema chains.

In the mids some newspapers began banning ads wiki the films. These were widely referred to as "white coaters," because, in these films, a doctor dressed in a white sexploitation would give an introduction to the graphic content that followed, qualifying the film as "educational. From Wikipedia, sexploitation free encyclopedia. The examples and perspective in this article films primarily with the United States and do not represent a worldwide films of sexploitation subject.

You may improve this articlediscuss the issue on the talk pageor create a new articleas films. January Learn how and when to wiki this template message. Apostolof Tinto Brass Ted V. Films Studies. Retrieved 20 October The glamour girls. Arlington House. Sinema: American pornographic films and the people who make them.

New American Library. Sex for sale: prostitution, pornography, and the sex industry. Retrieved KaralexisU. Sexploitation 16 Wiki Exploitation film. Film genres. Categories : Exploitation films Film genres Nudity Sexploitation films by genre Sexploitation films Softcore pornography. Namespaces Article Talk.

Views Read Edit View history. In other projects Wikimedia Commons. By using this site, you agree to the Terms of Use wiki Privacy Policy.

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Pages in category "American sexploitation films". The following 15 pages are in this category, out of 15 total. This list may not reflect recent changes (learn more). Pages in category "Sexploitation films". The following pages are in this category, out of total. This list may not reflect recent changes (learn more).

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sexploitation films wiki

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This films a chronological listing sexploitation notable Japanese sexploitation films. The list includes film genres which employ sex wiki nudity as a main focus, such as pink filsNikkatsu Roman Porno films, and Toei pinky violence.

This list also includes articles sexploitation Japanese AVs adult videos. Films Wikipedia, the free encyclopedia. Categories : Japanese erotic films Japanese wiki Japanese pornography Lists of films films country of production Lists of films by genre Lists of wiki by topic. Namespaces Article Talk. Views Read Edit View history. Languages Add links. By using this site, you agree to the Terms of Use and Privacy Policy.

Satoru Kobayashi. The Embryo Hunts in Secret. Memoirs of Modern Love: Curious Age. Birth Control Revolution. Inflatable Sex Doll sexploitation the Wastelands. Cruel Map of Women's Bodies. Blue Film: Estimation. Absolutely Secret: Girl Torture. Shogun's Joys of Torture. Modern Female Ninja: Flesh Hell. Go, Go, Second Time Virgin. Alleycat Rock: Female Boss.

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